[1]刘星显.法律与音乐视域下的原意论批判[J].法制与社会发展,2017,(05):115-128.
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法律与音乐视域下的原意论批判()
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法制与社会发展[ISSN:1006-6128/CN:22-1243/D]

卷:
期数:
2017年05期
页码:
115-128
栏目:
交叉学科研究
出版日期:
2017-09-10

文章信息/Info

作者:
刘星显
法律与音乐作为一项法学跨学科研究是建立在法律和音乐的关联性基础上的,其具有鲜明的理论特点与独特的理论优势。法律和音乐领域共同关注文本的解释实践活动。法律与音乐确立了“作曲家—作品—演奏家—听众”的理论框架,对原初意图论、文本原意论等提出了反思与批判,合力推进了对原意论的理论认识深度。法律与音乐视角下的原意论研究为该理论的更新与超越提供了一种新的可能,促使法律和音乐实践活动中权力关系的重新定位,消除单一要素的绝对控制,朝更具开放性、复杂性与解释力的方向发展。同时,法律与音乐为理解原意论的生成与发展的总体历史脉络提供了一种新思路。法律与音乐研究可使两个领域的学科相互参照,彼此联系,达成理论资源与成果的共享,对推进国内的法学跨学科研究发展具有积极意义。
Keywords:
Law-and-MusicLaw-and-Literature Hermeneutics Originalism Performance
摘要:
法律与音乐;法律与文学;解释学;原意论;演奏
Abstract:
As a interdisciplinary study of law, Law-and-Music is based on the relevance of law and music, with distinct theoretical features and unique theoretical advantages. The law and music fields all pay close attention to the practice of interpretation of text. Law-and-Music have established the theoretical framework of “composer-works-performer-audience”,made criticism on the theory of the original intentionalism and the original meaning of the text, and then together pushed forward the theoretical depth of the original intention theory. The theory of originalism from the perspective of Law-and-Music relocates the power relationship in the practice, eliminates the absolute control of a single element, and provides a possibility for a more open, complex and explanatory power theory.Meanwhile, Law-and-Music also provide a new way to understand the general history of the development of the theory of originalism. Law-and-Music can make the two fields get in touch with each other,and achieve the sharings of theoretical resources and achievements.It has an positive influence on the developmen of the interdisciplinary study of law in China.

备注/Memo

备注/Memo:
*吉林省社会科学院法学研究所副研究员。
本文系国家“2011计划”·司法文明协同创新中心研究成果。
更新日期/Last Update: 1900-01-01